In a world where attention spans are increasingly fragmented, the power of reading remains a force to be reckoned with, especially in Nigerian schools. This is the story of Tomi Falade, a Nigerian journalist and author, whose work, 'Olobun: Matriarch of Ondo, Mother of Legacy', has sparked a conversation about the enduring appeal of reading and the importance of preserving cultural narratives.
The Reading Revolution: A New Perspective
Falade, in a recent interview, challenges the notion that the 'reading culture is dying' in Nigeria. She argues that while the landscape has indeed shifted, with a plethora of entertainment options vying for attention, the act of reading persists and even thrives.
"The fact that people are still reading and enjoying books shows that the reading culture is not dwindling as we think it is. It's an evolution, with more information and content available than ever before."
She highlights the excitement and enthusiasm generated during a recent book reading at Ikeja High School, where students, actors, and even the wife of the Lagos State Deputy Governor, Oluremi Hazmat, engaged with 'Olobun'. This event serves as a testament to the enduring appeal of reading and its ability to captivate audiences.
Preserving Cultural Narratives: The Power of Stage Play
However, Falade acknowledges that the stage play culture in Nigeria faces challenges. She attributes this to the complexity and cost involved in producing quality stage performances, especially when compared to the ease of film production. Despite these obstacles, she emphasizes the importance of investing in the arts to ensure their survival.
"People who truly enjoy the arts must learn to invest in theater so that it doesn't die out completely. We need to find a way to balance and support this industry."
She cites the example of Muyideen Oladapo's recent stage opera, featuring actors like Omowunmi Dada and Lateef Adedimeji, as a testament to the continued excellence and profitability of quality theater.
The Impact of 'Olobun': A Historical Perspective
'Olobun' was selected for the 2025 Best of Nollywood (BON) awards book reading, an event that Falade believes is a recognition of stories that matter and a way to bring important narratives to the forefront for tomorrow's leaders.
"Reading is still a big deal in Nigerian schools, contrary to what some may think. It's a beautiful thing that Best of Nollywood is celebrating stories like 'Olobun'."
Falade emphasizes the historical value of 'Olobun', noting that it serves as a preservation of Nigerian stories, history, and culture. She highlights the importance of telling one's own stories to ensure accuracy and originality, using the example of the abolition of twin killing in Nigeria, a narrative often attributed solely to Mary Slessor, despite evidence of the practice ending in some parts of the country before her arrival.
The Future of 'Olobun': A Stage Adaptation?
While a stage adaptation of 'Olobun' was initially planned for 2025, Falade acknowledges that it may not materialize this year. However, she remains hopeful, with discussions ongoing with potential investors and sponsors. She envisions a university theater department as a potential starting point, with the aim of bringing the story back to its community roots.
Tomi Falade: The Brand
Falade describes her brand as 'reality literature', inspired by real-life events. Her work, including 'Olobun' and 'Dates from Hell', has gained recognition and acceptance, with plans for more books in the future. She aims to continue writing and sharing her stories, inspired by the world around her.
"I love writing, and I don't intend to stop. As long as my work as a journalist allows, I will keep writing and putting out more content. That's my goal, my vision."
Conclusion: A Call to Action
As we reflect on the power of reading and the importance of preserving cultural narratives, Falade's work serves as a reminder of the impact a single story can have. With 'Olobun', she has ignited a conversation about the enduring appeal of reading and the need to support and invest in the arts.
So, what do you think? Is reading still a big deal in Nigerian schools? And how can we ensure the survival of stage play culture? Share your thoughts in the comments below!
